What the media have been saying about ‘SLAVES BENEATH THE SUN’

“the monochrome artwork reflects the tone of the album; there’s minimal vibrancy or colour to be found in the bleakly atmospheric builds, the grim, lightly dissonant riffs and the harsh, yet impressively tonal, vocals.”
Musclassia / METAL STORM

“Those who love these hopeless sounds will immediately understand what this record is made of, a remarkable example of damned and beautiful music. We move through icy waves, flames coming out of nowhere, in a musical magma with perfect spines, for a work that is a candidate for album of the year, confirming the great releases that Alma Mater Records is putting together.”
Massimo Argo / IYEZINE

“(…) listening to “Slaves…,” one gets the impression that each episode has been more finely chiseled with the passion and attention of the best craftsmen, where the reworking of the teachings of the masters is perfectly matched with smoothness in listening and a clearer expressive simplicity. Pieces like “Scars” and “Breathe” show how Process Of Guilt are now flat-out masters of this post/sludge style with a dry, raw and peremptory foundation, where quotations often give way to a heartfelt interpretation with evocative solid power (…)”
Luca Pessina / METALITALIA

“It is safe to say that PROCESSOFGUILT (…) have, by now in their career, reached a level of maturity that is usually reserved for the leading bands, artistically speaking, in their stylistic fields, operate within the parameters they themselves have created, and are already, as far as possible, above any faux-pas that “lesser” groups may face.”
José Carlos Santos / LOUD! Magazine

“On their 5th album, PROCESSOFGUILT bring together the overwhelming power of “FÆMIN” with the best conclusions of the paradigms they explored on “Black Earth”. In this way, “Slaves Beneath The Sun” is the quartet’s new discographic pinnacle.”